Global distribution

Everywhere the audience already is

Recorded music, film, television, OTT and digital publishing — delivered to every major service worldwide, with reporting and royalty flow attached.

GlobalEvery major DSP and storefront
OTTStreaming and VOD delivery
1Statement, not five

Distribution isn't just delivery. It's delivery plus metadata that survives, reporting you can audit, and money that finds its way back to the person who made the thing.

Plenty of services will push a file to a streaming platform. Far fewer will fix the metadata that stops it earning, register the composition alongside the master, chase the collection society, and hand the rights holder one statement that reconciles.

What we deliver

Recorded music

Every major streaming service and digital storefront worldwide, plus regional platforms that matter in specific markets.

Film & television

Delivery into OTT, VOD and licensing markets, with rights windows and territory management handled.

Digital publishing

Books and print rights distributed through digital retail and licensing channels.

Sync & licensing

Catalog placed into film, TV, advertising, gaming and branded content through Music Licensing Group.

Physical

Vinyl, CD and merchandise fulfilment where the release calls for it.

Catalog migration

Moving an existing catalog off another provider without losing streams, playlists or history.

How a release travels

Same pipeline whether it's one single or a twenty-year back catalog.

01

Ingest

Masters, artwork and metadata come in — and get validated before anything ships.

02

Register

Master and composition identifiers assigned, splits filed, societies notified.

03

Deliver

Worldwide delivery to services, storefronts and OTT platforms on your release date.

04

Account

Consumption reported back, royalties calculated, statements issued to every payee.

Distribution FAQ

Distribution agreements don't require it. Where a deal involves us investing capital or taking equity, ownership terms are negotiated explicitly and in writing — never assumed as a condition of delivery.
Yes. Migration is routine work: we map the existing catalog, preserve identifiers so streaming history and playlist placement survive where possible, and repair metadata on the way through.
Consumption data flows back into the platform, royalties are calculated against your splits and recoupment terms, and every payee sees a statement they can audit. No spreadsheets emailed once a quarter.
Yes — through Music Licensing Group. Master distribution without composition registration leaves money uncollected, so we do both by default rather than as an upsell.

Take your catalog worldwide

Book a conversation

Whether it's twelve tracks or twelve thousand, we'll tell you what delivery, migration and administration would actually involve.

Get in touch